Hiki i nā mea hana ke hana i nā pēpē wahine i hoʻopilikino ʻia

Ke koho ʻana i ka ʻoi loa pēpē wahine anime (Hiki iā ʻoe ke kapa iā ia he pēpē wahine maoli) ʻoi aku ka maʻalahi a ʻaʻohe pilikia. Pono ʻoe e hoʻohana i kahi ʻano hulina kūpono a pololei a kau i kahi kauoha. Nui nā hale kūʻai pūnaewele kaulana e lawe mai iā ʻoe i nā pēpē maoli kiʻekiʻe a me nā mea hou loa, e hoʻonui maoli i kou hauʻoli o ke ola. I ka makahiki 1904, ua wehewehe ka papa inoa Farani i keia mau pepeke aloha "ʻaʻole e lawe mai i ka makaʻu i ka ʻeleʻele, ka lili, ka hakakā, a me ka maʻi."

Ua ʻōlelo pū ʻia ka papa inoa e loaʻa koke kēia mau pēpē a ʻaʻole e kūʻē. Hoʻohana kekahi poʻe i nā pēpē aloha e loaʻa ai ka ʻoluʻolu a me ka moekolohe. Inā ʻo ʻoe kēia, maikaʻi kēlā! No nā poʻe ʻē aʻe, ʻaʻole loa he mea pani nā pēpē sex no ka pilina. ʻO ka nui o nā mea nona nā pēpē aloha makemake nui e ʻimi a mālama i nā pilina pili me nā poʻe ʻē aʻe. Wahi a ka mea kākau ʻo Grace Banks: "Ke ʻimi nei kēia puke i ke ʻano kūʻokoʻa o ke kino wahine i ke ʻano politika, hoʻokele waiwai, a me ke ʻano o ka hoʻohana ʻana i nā pēpē wahine, nā mannequins, nā kiʻi kamepiula, nā neon reliefs, a me nā ʻano wahine ʻē aʻe. Embezzle."

He subculture ʻaʻole i loaʻa ka manaʻo nui a me nā moʻolelo i kēia manawa. I ka maka o ka poʻe o waho, ua manaʻo pinepine ʻia kēia he "mea ʻē". ʻO ka manaʻo o ka poʻe nona nā pēpē moe wahine he lewa kapu mau. ʻOiai ua hūnā lākou i nā mea huna, manaʻolana nui lākou e hoʻololi i ka stigma kaiapili e pili ana i ka loaʻa ʻana o ia mau pēpē wahine, kahi e koi ai iā lākou e ʻōlelo ʻAe! ʻO ka hapa nui o nā mea kūʻai e kūʻai aku i nā pēpē moe ma ke kumukūʻai, akā hiki i nā mea hana ke hana i nā pēpē moe maʻamau.

ʻO kēia nā koho maʻamau e pono e uku ʻia. Inā lawa ka waihona kālā, no nā mea kūʻai ʻike, hiki iā ʻoe ke hana i kāu hana ponoʻī tpe pēpē wahine lopako hoa. Ma waho aʻe o ka hāʻawi ʻana i ke kumu hope loa o ka leʻaleʻa moe kolohe, ua hoʻololi pū ʻia nā pēpē wahine i ke ola maoli i kahi koho maikaʻi loa e lanakila ai i ka mehameha. I kēia mau lā, ʻo ka loaʻa ʻana o nā pēpē aloha ʻoiaʻiʻo ma Texas ʻaʻole ia he mea nui, no ka mea he nui nā mea hoʻolako hilinaʻi.

Eia kekahi, ʻoi aku ka kahiko a me ka poetic o kēia mau pēpē artificial. Wahi a Ovid's "The Metamorphosis", ʻo ka pilina ma waena o ka mea kālai Cypriot Pygmalion a me Galatea mamao loa mai platonic. Akā naʻe, ʻaʻole he wahine maoli ʻo Galatia, he kiʻi kiʻi wahine kūpono i kālai ʻia e Pygmalion.

Aia kekahi mau mea e pono ai ke nānā aku, ʻo ia hoʻi, ka pilikia o ka pono, ʻo ia hoʻi, ʻaʻole hiki iā mākou ke haʻalele i nā pilikia pono i hoʻokumu ʻia e nā robots sex. "ʻO ka luʻi nui loa e hele mai mai ka naʻauao akamai me ka noʻonoʻo paʻakikī a me ka hiki ke hana," wahi a Sam. "Inā hiki i ka naʻauao hana ke hoʻokō i kou mau makemake āpau ma mua o ke kanaka, e koho anei ʻoe e launa? Is pēpē aloha kūpono ʻole a hewa paha? Inā pēlā, no ke aha? ʻAʻole au ʻoluʻolu i ka manaʻo o kēia mau pilikia."